Matt Nathanson

Over his almost 30 year career, Matt Nathanson has evolved into one of the most applauded songwriters and engaging performers on the music scene today. His sixth studio album, Some Mad Hope, yielded his breakthrough multi-platinum hit “Come on Get Higher.” He followed up with Modern Love, a critically acclaimed album (PopMatters called it “the closest a pop album comes to perfection this year”) that garnered Nathanson two RIAA Gold Certified singles, “Faster” & “Run (featuring Sugarland)”. His 2013 release, Last of The Great Pretenders, debuted at #16 on the Billboard Top 200 while hitting #1 on iTunes’ Alternative Albums chart. His most recent album, Sings His Sad Heart spawned the hit single “Used To Be” which was a chart climber – hitting top 20 at Adult Top 40.

Throughout his career, Nathanson has been known to cover songs and artists that inspire him. His Def Leppard approved cover album of their iconic Pyromania called Pyromattia shot to #1 on iTunes Alternative chart and Def Leppard’s Joe Elliott called the album “an amazing reinterpretation” with “heart & soul.” Last year he covered U2’s Achtung Baby as a tribute to his all time favorite album. His holiday LP Farewell December, includes “Blue Christmas” to “Grandma Got Run Over By a Reindeer” — as well as his somber take on Joni Mitchell’s “River.” Nathanson has performed on The Howard Stern Show, Ellen, Jimmy Kimmel Live!, Dancing with the Stars, Rachael Ray, and The CMA Awards to name a few.

KT Tunstall burst onto the music scene with her 2004 multi-platinum debut, Eye to the Telescope, which spawned the global hits “Black Horse and the Cherry Tree” and “Suddenly I See.” These songs established Tunstall as a captivating, must-see performer, as well as a Songwriter with a singular knack for balancing introspective folk and propulsive rock. “I feel there are two immediate, recognizable pillars of my style,” she says. “I have this troubadour, acoustic guitar-driven emotional side. Then there’s definitely a rocker side of me with sharper teeth.”

In the last few years, the Grammy-nominated Scottish Musician has expanded on these musical selves by focusing on a trilogy of records, where each album zeroes in on a single concept: soul, body and mind. The first, 2016’s KIN, was the soul record; 2018’s WAX was the body record, and the new NUT is the mind record.

Produced by Martin Terefe, who co-wrote her 2005 global hit “Other Side of the World,” NUT draws on Tunstall’s love of percussive West African grooves as a metaphor for the learning patterns of the mind, and is an eclectic album that seamlessly weaves together disparate styles. She found her writing mojo thanks to “Canyons,” a song propelled by a grimy, heavy rock riff. In keeping with NUT’s theme, the song’s lyrics are about the canyon-like physiology of the brain, and explore the parallels between humans developing unique identities and the way nature evolves and is shaped over time. Elsewhere, NUT’s lyrics and sound delve into KT’s own personal evolution, and the way we all evolve through the repetition of behaviors and our reactions to life experiences. “Private Eyes” grew out of Tunstall’s brush with the vampiric downside of fame, while “Three,” summarizes the arc of the trilogy, inspired by a journal practice where she would write multiple entries on one topic from the different perspectives of mind, body and soul.

“It was necessary in the circumstances to make NUT completely differently from any other record I’ve made,” Tunstall says. “But I was excited and ready for that. The reason I pursued music was because I had to avoid a repetitive job. I need to feel a constant sense of exploration in life. I’ve realized you can easily fall into repetition even in this job. And so for NUT, I was like, ‘Come on, let’s do what we said we were going to do. Let’s push into something new.’ What’s always most important is making an exciting, meaningful record that I love, and to have fun while I’m doing it.”